Monday, September 24, 2007

Classic Gone-and-Forgotten: Karate Kid


Jena, Warrior Princess "Dr.Venom bade me welcome you to this edition of Gone and Forgotten..."

"I am Jena, villainous lackey with a heart of gold and possible love interest for the hero of the eponymous and godawful story STAR-KING, the backup feature from Amazing Wahoo. I only appeared in the last three panels of the story, and even then I was so strung out on cheap talcum-cut cocaine that I barely remember it at all.

Hell, most of the Eighties are a total blur. I started off as Doctor Venom's receptionist, back when he ran an orthodontics practice in Burbank. We ended up in bed together, and he got me all swept up in his dreams of super-villainy, but he abandoned me on the movie set in Italy where we were doing "Star-King." I kinda let myself go wild, there - did a coupla spreads in European skin mags, ran heroin through the Netherlands. I'm going to night school now, and I've rejoined the Baptist church. I'm trying to find a man who doesn't drink or yell at me."

"Well, enough about me...There's a new comic to review ..."


Take it easy on him, Mon-El.

...except Karate Kid (awww). From DC's on-again-off-again attempts of the Seventies, here's what I believe to be the only comic book featuring a kung-fu artist from the future ... though I expect to be proven wrong.

Our Karate Kid is actually Val Armorr, a citizen of 30th-Century Earth and a member of DC's perennial fan-favorite team book, the Legion of Super-Heroes. Feeling his "powers" don't quite match up to the earth-shattering abilities of his allies -- and how could he compare to super-powered teens who make "zap," "bam," "pow," and "bzzzz" noises with such relative ease -- he hops a Time Bubble and heads for an era where his intensive training in assorted martial arts could be put to better use.

The Boxer Rebellion!

No no, I kid. He goes to (naturally) 20th century Earth* where - instead of having to match up to human-powerhouses like Mon-El, genius intellects like Braniac 5 and energy wielding wonders like Sun Boy - he merely has to compete in the same arena with human-powerhouses like Superman, genius intellects like Batman, and energy-wielding wonders like Firestorm, the Nuclear Man.

See my legs, I can hardly stand! See my mouth, I can hardly talk...

Despite his timely themes, the Kid actually predates the martial arts craze that raged through comics in the mid-Seventies; he is far less contemporaneous with Bruce Lee's Enter The Dragon than he is with Bruce Lee's Kato ... Karate Kid first appeared in Adventure Comics' Legion feature back in the Sixties.

However, Lee's seminal Enter the Dragon debuts in 1973 and by 1974 martial arts comic books are beginning to flood the market. As Marvel (and several 'upstart' companies) start to find a sufficiently profitable cult success with martial arts-themed books like Shang-Chi, Master of Kung-Fu, DC promotes Karate Kid to his own title while creating another equally short-lived kung-fu book, Richard Dragon.

I am SOOOOO from the future, you better believe it.

Karate Kid sure did try, and there's a few things I enjoyed about it. Like a number of DC's short-lived Seventies titles, the Kid got to test his skills out on perennial bad guys Neo-Nazis - in this case, the thinly-disguised snappy dressers in bright red costumes, the NuRike (One-half the calories of a regular Reich)!

Also - and this is wholly the effect of artists Ric Estrada (no, not that Ric Estrada) and Joe Staton - Val's New York is a cartoony, desolate landscape or surreal proportions. Buildings are terrific monoliths in an indeterminate distance, often lonely pillars against a red background unmarked by similar towers and buildings. And the splash panel of issue two is a dreamy Eisner-esque ... well, sort of, I guess ... liquid landscape that peels itself right off the page and into a Riverdance performance. It's bizarre. I kinda like it.

And although the splash page of the second issue promised "Martial Arts Action like you've never seen before!" it actually delivered Martial Arts diagramming like you've never seen before. Perhaps taking its lead from DC's long tradition of adding "scientific facts" to its stories (Anyone here remember "Flash Facts?" or those Planetary Science bits they used to run in Mystery In Space?), KK:the book doesn't actually so much show the martial arts action as it does an occasional diorama explaining the action

*Seems whenever a Legionnaire gets a mini-series, it's to introduce him to modern day 20th century Earth. Valor (nee Mon-El) started off as a twentieth century hero, and although his fan base was created in the pages of the futuristic Legion of Super-Heroes, his series placed Valor in the early Nineties. Cosmic Boy's mid-Eighties miniseries had him travel to then-modern-day America, and Timber Wolf - in a miniseries which ran shortly after Valor's - ends up in San Francisco, also modern day.

What Super-Stars?

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